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23.7.08

Firewater – The Golden Hour


So what do you do when your wife wants a divorce and an idiot gets re-relected into the oval office. You can either sit at home and feel depressed or you can go out and see the world. Luckily for us, vocalist Tod A (ex-Cop Shoot Cop) did just that and came back with enough ideas to fill an album with Firewater’s punkrock meets gypsy and klezmer tunes.

When they started doing what they do ten years ago, people were confused but now with acts like Gogol Bordello and Beirut exploring the same path, it’s kind of the hip thing to do. Not that Tod and friends give a fuck, they just like to write solid songs. And there’s plenty of those to be found on “The Golden Hour”. With exciting and eclectic songs like “This Is My Life” and the anti-Bush tirade “Hey Clown”, it feels like a journey that you can dance to in your own living room. These guys should be a treat live as well so make sure to check them out when they’re in your town!
Score: 7 out of 10
http://www.bloodshotrecords.com
http://www.firewater.tv

When We Fall – We Untrue Our Minds


When We Fall is a Swedish emotional hardcore band that just released an album with a title I don’t understand. But that’s probably just me because I’m not that in touch with my emotions. That all dates back to… ah, who cares.

On “We Untrue Our Minds” they use all of the clichés of the genre including but not limited to the sing/scream thingy. Thing is that the screams on here are pretty cool and the clean parts are for once not sung with a whiny kinda voice. Musically you can place these guys somewhere between Rise Against and Comeback Kid. All in all this is a decent debut full-length but is worth hearing. Which is saying a lot about a band in a scene that is so crowded.
Score: 6 out of 10
http://www.iforusrecords.be
http://www.whenwefall.se

Discipline – Old Pride, New Glory


The Dutch streetpunk juggernaut known as Discipline wanted to record some covers and ended up with a whopping 30-song release. Twelve of the covers are newly recorded, the others could already be found on various releases but have been thrown together here on one disc as bonus tracks and include songs by Cock Sparrer, Slapshot, Rose Tattoo and Social D.

As for the new ones, the hooligans that make up Discipline show they listen to more than just streetpunk by recording their interpretation of Twisted Sister, Ramones, Slade and Billy Idol songs. With a result that honestly sometimes doesn’t sound too different from the originals after having been Disciplined. They do a pretty good job though of making it all sound very energetic, I’ll hand ‘em that much. I just wish they would’ve been a little more original in picking the songs. Covering “Rebel Yell” and “We’re Not Gonna Take It” is not exactly a novel idea that is going to earn you a lot of points from the cool police.

Overall, this is a fun release to tie things over between two studio albums but I think people are more interested in hearing new Discipline songs rather than hearing yet another band play “I Wanna Live” in a way the Ramones already played it back when they recorded it.
Score: 6 out of 10
http://www.iscreamrecords.com
http://www.discipline.nl

Sparkle Of Hope – Light The Torches


Hey, are you tired as well of all the metalcore outfits that seem to pop up just about everywhere? Well then I doubt you’ll care much for Sparkle Of Hope’s new album. Yes, these guys are technically skilled (especially guitarist Daan Witters) and despite some clever parts they smuggled in here and there, this basically sounds like what As I Lay Dying and Killswitch Engage have already done before them. It’s a lot heavier than their debut though with even a little Bring Me The Horizon here and there.

I’m not saying “Light The Torches” is a bad album because it’s not, it’s just that I’ve already heard this so many times that it doesn’t do it for me anymore. If these guys would’ve made this album a couple of years ago then it would’ve been a completely different story as far as I’m concerned. But unfortunately it’s 2008 and you can buy albums like this for 0.01$ all over eBay.
Score: 6 out of 10
http://www.funtimerecords.com
http://www.sparkleofhope.be

Hellbound Glory – Scumbag Country


A new release on Gearhead usually comes with two guarantees… it’s gonna be good and it’s gonna be garagerock. Hellbound Glory however takes us from the garage to the trailer park but luckily the quality is still there.

Hellbound Glory plays outlaw country, pure (or inbred) and simple. They might play eveything with a punkrock attitude but that’s about as far as it goes. Think Waylon Jennings and Hank Williams III with plenty of coke and booze to get this 70s country lovefest started and as much grit as you’ll find on the thousands of miles of highway that bring these guys to where they have to be to play another wild show.
Score : 7.5 out of 10
http://www.gearheadrecords.com
http://www.hellboundglory.com

Said And Done – Endless Roads EP


Dutch HC outfit Said And Done did a pretty cool job with “Endless Roads”. They’ve got the NYHC groove in full effect and probably spent a unhealthy amount of time listening to Leeway and Cro-Mags. Not that they’re a ripoff but you just can’t look past the ‘influenced by’ part. Which is not a bad thing unless you think it is. The customer is always right yadda yadda. Unless of course we say you are wrong.

Solid vocals, solid riffs and solid breakdowns make for a solid release and that’s basically all you can ask for, right?
Score: 7 out of 10
http://www.theshieldhardcore.com
http://www.saidanddone.org

They And The Children – Home


If you ask us how we at PunkRockTheory.com like our hardcore, the answer would be loud, raw and gritty. Now granted, most hardcore bands are loud. Otherwise they would be out there playing lounge music or something else that makes my toes curl. It’s the raw and gritty part that I don’t always find. I did find plenty of that though on “Home”, They And The Children’s debut full-length. Raw and gritty doesn’t even cover the load… this album is abrasive as fuck!
When they’re not busy venting all of their frustrations by beating the shit out of their instruments like the damn things still owe them money or fucked their girlfriend, they are throwing in these ugly sludgy parts that couldn’t spell DOOM more obvious even if I printed it in the biggest font size I can find.

If you are already slightly depressed going into this album, you might want to hide the knives and flush the pills down the toilet, cuz They And The Children like their noise so thick sunlight doesn’t even stand a chance of penetrating all the different layers.
Score: 7.5 out of 10
http://www.killnormal.com
http://www.theyandthechildren.com

Russian Circles – Station


I remember being blown away by Russian Circles’ debut “Enter” so I was seriously looking forward to their new release and once again these gloomy inhabitants of the Windy City do not disappoint. The band’s heavy brand of post-rock can go from a mild breeze that flirts with your nipples through your shirt to a full-blown hurricane that’ll rip said shirt right off your back in mere seconds.


This instrumental trio of guitar, bass and drums does a great job of conjuring up a frenzy in songs like “Harper Lewis” and “Station” but Russian Circles does an equally impressive job of keeping you enticed with more subdued soundscapes like opener “Campaign”. This is largely due to Mike Sullivan’s guitar who knows how to write some beautiful sounding parts.

Comparisons to Isis and Pelican (same hometown) are within reach but it wouldn’t be fair towards Russian Circles who are well on their way of coming up with an impressive sound all their own.
Score: 8 out of 10
http://www.suicidesqueeze.net
http://www.russiancircles.net

Raunchy – Wasteland Discotheque


Denmark’s Raunchy is back with their futuristic hybrid metal on “Wasteland Discotheque”, already the band’s fourth full-length. As soon as “Somewhere Along The Road” bursts out of the speakers it becomes clear that they haven’t changed a thing about their sound. The combination of death and thrash metal with poppy elements and a shitload of synth action is still firmly in place and honestly, I wouldn’t have it any other way. Think In Flames and Soilwork with a little of Linkin Park thrown in.

Kasper Thompsen’s screams might start to sound kind of monotonous after a bit, but the combination of brutal parts and extremely melodic parts is executed perfectly and keeps things moving at a swift pace. And when they throw in an excellent cover of Rockwell’s “Somebody’s Watching Me” next to excellent own compositions such as “The Bash” or “The Comfort In Leaving”, I’ll even go along with the moronic nickname these guys got (‘Danish Dynamite’)!
Score: 8 out of 10
http://www.lifeforcerecords.com
http://www.raunchy.dk

The Undeclinables – S/T


These Dutchies have changed their band name almost as many times as they’ve put out a record. They went from Undeclinable Ambuscade to Undeclinable and now to The Undeclinables. For album number four they found a new singer but other than that things have pretty much stayed the same.

My biggest problem with this eponymous album is that the new singer isn’t as good as the last one and he drags the whole album down a bit with him. But it’s not fair to blame everything on the poor guy because the songs start to sound more and more the same as well the further you get down the tracklisting.

So this one didn’t quite live up to my expectations. It wouldn’t be bad for a beginning band but from the band that gave us “Sound City Burning” I was expecting a little bit more than this.
Score: 6 out of 10
http://www.sonicrendezvous.com
http://www.undeclinables.com

Born Ruffians – Red, Yellow & Blue


Born Ruffians already surprised a lot of people with their EP last year and are prepared to surprise us again with their debut full-length “Red, Yellow & Blue”. Armed with a bunch of songs that sound as neurotic as the Hot Club De Paris and a vocalist that sounds like he ran away from Clap Your Hands Say Yeah, Born Ruffians are ready to take everyone on with their indiepop.

It all sounds very colorful and energetic but it’s all the twitchy stuff that gets me plain annoyed. Others will love ‘em for it, I just get nervous of the frenetic rhythms and staccato guitars after a couple of songs.
Score: 4 out of 10
http://www.warprecords.com

Cold World – Dedicated To Babies Who Came Feet First


Seriously, can labels get more hardcore than Deathwish? I don’ t think so which is why I didn’t expect their latest release, Cold World’s “Dedicated To Babies Who Came Feet First”, to start off with a hiphop intro. That’s right… beats, scratching and some guy telling us to ‘turn it up’. There’s a couple more interludes during the album that I personally could have done without but oh well!

The actual songs are still pretty hardcore though… mostly mid-tempo stuff that doesn’t lose any of its aggression due to a slower pace. I’m hearing a lot of nineties Biohazard in there and with Billy Graziadei producing the album, it maybe shouldn’t come as that much of a surprise. Other than that there’s some “River Runs Red” era Life Of Agony going on as well and they’ve plenty of groove to throw around.

I would’ve liked the album more without the hiphop parts but overall “Dedicated To Babies Who Came Feet First” is a pretty decent album that sounds unlike most hardcore released these days.
Score: 7.5 out of 10
http://www.deathwishinc.com

The Psyke Project – Apnea


The Psyke Project is a Danish band that has already released three albums so far with “Apnea” being the latest one. It’s already been out for a while in Denmark but only now has it become widely available thanks to the band’s new home, Lifeforce Records.

It’s a shame that for every good album, you get ten mediocre ones. Reading The Psyke Project’s bio you’d get the impression they’re gonna be one of the good ones but alas, “Apnea” is rather mediocre. With their brand of hardcore mixed in with a little bit of Converge’s chaos, Neurosis’ sludgy moments and Deftones’ atmosphere, it looks like it should sound diverse enough to keep your ears glued to the speakers. Unfortunately things already became repetitive after four songs.

The Psyke Project will be in the studio in November to record the follow-up. Let’s hope it will sound a bit more thought through.
Score: 6 out of 10
http://www.lifeforcerecords.com
http://www.thepsykeproject.com

18.7.08

Polar Bear Club interview



One of the most amazing bands I have come across recently is Polar Bear Club. They've got that whole gritty Hot Water Music thing going on and rock like crazy on their debut full-length "Sometimes Things Just Disappear". Check out what guitarist Chris has to tell us and how he denies having ever heard of the RealLife doll... smart answer Chris, smart answer!

PRT: Who are you and what would you like to tell our readers about yourself?

Chris: I'm Chris and I play guitar in PBC. I'm a Leo and the movie "Field of Dreams" makes me cry. I like Taco Bell, beer, and basketball.

PRT: Who else is in the band and did they ever go swimming naked in December?


Chris: Jimmy sings, Nate plays guitar, Goose plays bass, Emmett plays drums, and Tracker drinks beer. None of us have gone swimming naked in cold water or anything. The Coney Island Polar Bear Club invited us the last time we played on Long Island, but our van conveniently broke down the morning we were supposed to go (no, really, it actually did).

PRT: Can you give me the history of the band written in one minute or less starting… NOW!

Chris: Yikes, that's tough. Well I started jamming some songs with two guys who are no longer in the band. We recorded a demo, and Jimmy joined us to do vocals. We played our first show in August 2005, had a few members changes since, and now we have an EP and a full length out and are only scratching the surface of ruining our own lives. Stay tuned.

PRT: For the people out there who haven't heard you guys yet… if Polar Bear Club was the lovechild of two other bands, which bands would've had sex and which position were you conceived in?

Chris: That's a great question. The easy answer would be Hot Water Music and Small Brown Bike or something like that. But everyone's sick of hearing that about us by now, or at least I am. So instead...I'm going to say AC/DC and Third Eye Blind, with Third Eye Blind playing the role of the female and receiving doggie style. Or maybe reverse cowgirl with Stephan Jenkins talking about tater tots through the whole thing.

PRT: I read that Polar Bear Club is now a fulltime thing for you. Was that a difficult decision for you to make? Any sacrifices you had to make for it?

Chris: Yes, it is, or actually it is about to be. We've been in the planning stages all summer and are taking off at the end of August for a whole bunch of touring and then writing a new record. It was a very difficult decision for me personally, but mostly because of the financial risk involved; being in a band is just not something you should do for money, for a lot of reasons. We all have jobs and stuff that we're leaving, and in my particular case I'm leaving law school after one year and an internship at a really great firm, so there are obviously some pretty dire financial implications going along with this. Emmett is giving up a teaching job, Nate is leaving school and a job at a science lab as well. But once the decision was made, it quickly became clear that this is absolutely the right thing to do for everyone involved. We're all very cynical and sort of pessimistic about music industry stuff in general, but this band is very special to us and I like to think it's very special to some other people as well. I can wholeheartedly say that I've never been happier or more excited about any life decision I've made, and it's an incredibly liberating feeling to just say "fuck it" to all of your stereotypical financial concerns and just do what you've always wanted to do and have a true passion for. And if we can live off of it enough to keep doing it for a while, well then great.

PRT: I honestly had never heard of you guys before "Sometime Things Just Disappear" but I was completely blown away by the album. You seem like this band that blew up all of a sudden based solely on the songs, which is a rare thing these days where every single band seems to get hyped. What's it like for you guys?

Chris: It's fucking amazing. I have no idea what to think of how well we are or aren't doing, but it's nice to know that whatever good fortune we have had is coming for the right reasons. All of us have been doing bands for a long time now and we put our hearts and souls into the music itself, and give the writing process a great deal of thought, so just to know that some people are listening to it and really connecting with what we're trying to do is such a great feeling. I think the internet has been awesome for that too, in some cases -- it's not always about a band's image or haircuts or clothes or anything, because people can just click around and listen to shit until they find something that appeals to them. It creates a lot more emphasis on just making songs that people want to hear and not worrying about other shit, and that has been pretty refreshing. That being said, we also don't have any silly sense of accomplishment or entitlement or anything like that. There are a lot of bands doing a lot better than us, and a lot that are doing a lot worse, and you can only control that to a certain point and sometimes it's best to just ignore it and enjoy what you do.

PRT: What's with the album title? And while we're at it, what have you ever had that just disappeared?

Chris: The title comes from a Taco Bell trip we made while at the studio. Honestly, I just don't feel like typing it right now, and hopefully most people that will bother to read an interview with us have already heard it anyway. If not, we'll tell you some time. Basically we couldn't think of anything for a long time, and this title just arose out of a funny incident. And things that just disappear...well, plenty. Money has a strange way of evaporating constantly. That and my dignity, liver, future...you get the point.

PRT: The lyrics all seem to be autiobiographical. Have you ever written lyrics that you didn't use in the end because it felt like you were giving away too much of yourself or situations in your life that you wouldn't write a song about for that same reason?


Chris: I can't really answer this one with too much detail because Jimmy writes all the lyrics. But I know that he's constantly writing, revising, etc., and he has tons of lyrics that either get postponed or thrown out for one reason or another. I don't think it's ever because the lyrics are too revealing, though...the whole point is to address things that are meaningful and that you really care about. He's never been shy about touching on very personal topics, especially because his style often leaves these ambiguous or open to interpretation anyway. He may write with one thing in mind, and a reader may get a completely different message that resonates with them, but that's a good thing of course.

PRT: What's up next for Polar Bear Club?

Chris: Lots and lots of touring. We're doing the Gaslight Anthem CD release shows in August, followed by a lot of touring in the fall months with friends like Gaslight, Broadway Calls, and The Swellers. We can't wait! Then sooner than later, a new record. The ideas are flowing and we're really excited about what's getting tossed around. Check our MySpace page for tour dates and all that good stuff, we're constantly updating it.

PRT: Are there any plans to come to Europe? And if so, please don't skip Belgium!

Chris: Yes. We don't know when just yet, but hopefully in late '08 or early '09. We'll do our best, Europe is awesome! One of my favorite show experiences ever was in Belgium with a previous band. You have an awesome country.

PRT: What's your position on the whole Real-life doll versus the classic inflatable one?

Chris: I honestly have no idea what this question is asking, but it sounds like something I should know about. Let's talk off the record some time.

PRT: Any last words for our readers?

Chris: Re-watching the entire Twin Peaks series on DVD is unbelievably satisfying. I highly recommend.

17.7.08

The Night Marchers – See You In Magic



John Reis is a friggin’ genius… the guy already proved it a bunch of times with Drive Like Jehu, Rocket From The Crypt and The Hot Snakes. And now he’s back again with another awesome project called The Night Marchers. For this one he finds himself backed up by Gar Wood’s jangly guitar, CPC Gangbangs’ Tommy Kitsos on bass and co-conspirator Jason Kourkounis from Hot Snakes on drums. Together the four of them crank out thirteen most excellent garagepunk tunes that fill the gap between Hot Snakes and Rocket From The Crypt perfectly.

This right here is exciting music, boys and girls! And long ago before thousands of shitty bands came along, that was exactly what rock n roll was about. Say ‘thank you John Reis’ for reminding us of just that once again.
Score: 8.5 out of 10
http://www.vagrant.com
http://www.myspace.com/thenightmarchers

Wolf Parade – At Mount Zoomer



Rumor has it that while recording “At Mount Zoomer”, songwriters Spencer Krug and Dan Boeckner sent a memo to their label with just two words on it : no singles. I don’t know whether it’s true or not but it very well could be because rather than the collection of singles that was Wolf Parade’s debut “Apologies To The Queen Mary”, their sophomoric release is way more coherent.

The nine songs that make up “At Mount Zoomer” are a very cool mix of indiepop and progrock with some catchy retro sounds. And whether a song is short or long (closer “Kissing The Beehive” goes on for 11 minutes), it doesn’t matter. These guys just let the reins go free and it works out great every single time. There is something to comparing them to that other Canadian outfit, Arcade Fire. And the comparison is only reinforced with Wolf Parade recording a large portion of the album in Arcade Fire’s Petite Eglise studio. But they won’t let the critics get off that easy because there’s way more to Wolf Parade than being an Arcade Fire clone.

This just a very enjoyable album that brings indiepop and progrock together and while that is certainly ambitious, they do it without losing sight of the hooks and catchy choruses that people want to hear. You should check this out for yourself but you ain’t getting my copy… it already is on repeat in my stereo.
Score: 8.5 out of 10
http://www.subpop.com
http://www.myspace.com/wolfparade

V/A – Duyster vol. 3



Duyster has been one of the most interesting radio shows in Belgium where they have been playing all the best in slowcore, postrock, indietronics and singer/songwriter for several years now. As those things go, there was no going around the obligatory compilation series of which the third installment is out now. Once again it’s a 2CD set with the ‘classics’ on the first album whereas the second disc is dubbed ‘live sessions’.

The ‘classics’ are off to an impressive start with contributions from big names such as Broken Social Scene, Modest Mouse, Yo La Tengo and The Notwist. Basically the entire first half of the album is stellar. It’s a shame that the last couple of songs from Ida, Boards Of Canada and Juno couldn’t keep that momentum going, making this disc end on a bit of a sour note for me. As for the ‘live sessions’, pretty much the same story… I really like some (Iron & Wine, Joan As Police Woman, The Shins, The Great Lake Swimmers) and others not so much (Ansatz Der Maschine, Patrick Watson).

But hey, if you’re into this kinda music, there’s no going wrong with this release. At least then you won’t just get depressed on a Sunday evening…. You can now pick your own evening to swallow that year long supply of Prozac all on your own!
Score: 8.5 out of 10
http://www.pias.be

Death Cab For Cutie – Narrow Stairs



“Narrow Stairs” is album number seven for the Death Cabbers and nothing much has changed since “Plans”… but is that really necessary? When you’ve perfected your sound over the years and have come up with a sound so delicately delicious, would you seriously change anything about it? I wouldn’t. And luckily neither do Gibbard and co.

Once again this is an album with dark lyrical content that drag you into a mild depression but thanks to the wonderful melodies, the warm bass sounds and the punctual rhythms they always smuggle into their songs, things never get too bleak. Single “I Will Possess Your Heart” goes on for nearly 8 minutes without boring for one second and two songs into the album it’s alrady the second highlight after opener “Bixby Canyon Bridge” which rocks suprisingly hard for these guys. That song then stands in stark contrast with closer “The Ice Is Getting Thinner”, which is basically just Gibbard’s vocals shrouded in a lonely guitar. In that song he says that ‘We’re not the same, dear / As we used to be’ and while that may be true for him as a person, it’s not so for Death Cab For Cutie. And I honestly couldn’t be happier about it!
Score: 8.5 out of 10
http://www.atlanticrecords.com
http://www.deathcabforcutie.com

Pilgrimz – Boar Riders



Wow, this could very well be the worst artwork we’ll see in 2008! I was expecting some country music and was about ready to get my hoe down when I popped this baby in and found myself listening to some fairly brutal metal. Which of course we don’t mind over here at PunkRockTheory.com. At least not when it’s done properly. Unfortunately these Danish dudes don’t seem to know the word diversity which causes me to listen to the same song 10 times in a row. They sure as hell try to sound diverse though with a sound that’s somewhat similar to what I expect The Hives to sound like when they’re playing thrash metal on some forgotten Sunday afternoon. But it’s just not working as it should!

The weirdest thing is that the songs are either off to an awesome start (“Drama King & Drama Queen” for example) or have a bunch of cool riffs in them but never fully live up to their potential. So you know they’ve got what it takes to write some solid songs. Except that in the end… they don’t! Give these guys some time to further develop their sound and I think they might be onto something. But for now I’m gonna have to say thanks but no thanks.
Score: 6 out of 10
http://www.iscreamrecords.com
http://www.pilgrimzband.com

Austrian Death Machine – Total Brutal



Austrian Death Machine is the side-project of As I Lay Dying’s Tim Lambesis where he pays tribute to the world’s greatest action hero turned politician. Yes people, I’m talking about Ahnuld aka the Governator. And lemme say it’s about frigging time the man got some respect from the hardcore scene. After all he was the original tough guy and the most brutal of ‘em all. Especially in Conan The Barbarian! I mean, how many men do you know that can dress in a miniskirt and still look imposing? So fuck Steven Seagal, Chuck Norris and Sylvester Stallone and get ready for the Austrian Death Machine!

Every song on here is broohtal and fast, there’s plenty of chances to sing along, all of the lyrics are made up of quotes from various Schwarzenegger movies and every single song comes with a guitar solo. For those some friends were invited to pitch in including Adam Dutkiewicz (Killswitch Engage), Jason Suecof (Trvium) and Mark Macdonald (Mercury Switch). Other than that Tim plays all of the instrument and used samples for the vocals before resorting to a friend of his who does a mean impersonation of Schwarzenegger so he couldn’t get sued for using the samples without permission.

The skits in between the songs are only fun to listen to once but the songs themselves are pretty damn enjoyable and manage to make me smile every single time. Especially “I Am A Cybernetic Organism, Living Tissue Over ‘Metal) Endoskeleton” and “If It Bleeds, We Can Kill It”. Even if you’re not into As I Lay Dying, you might want to check this out!
Score: 7.5 out of 10
http://www.metalblade.de

Campus - We Are The Silence


Campus got together in the winter of 2004, released an EP that was distributed through Funtime, then got signed to Funtime and are now releasing their debut full-length called "We Are The Silence". There ya go... history of the band in a nutshell. You're welcome. I aim to please.

When I heard the name Campus I was somehow thinking of an indierock band preferably with some jazzy freakouts. What I was not expecting was some brutal yet fairly melodic screamo meets metalcore. It's all well-executed and even the sing/scream combo didn't get on my nerves too much. It does all start to sound a little monotonous towards the end but all in all Campus is a pretty cool addition to the Belgian scene. If only they would change that terrible bandname!
Score: 6.5 out of 10
http://www.funtimrecords.com

The Locos - Energia Inagotable


As if fronting one frenetic skapunk band wasn't enough, former Ska-P vocalist Pipi started The Locos who have just released their second album, "Energia Inagotable". Because of the fast rhythms, the awesome horns and Pipi's vocals, I don't really hear a lot of difference with Ska-P. Which in my eyes is a good thing cuz I always liked those guys. If you're into energetic skapunk that comes with the kind of message no man in his right mind would not rally behind, then pick up "Energia Inagotable" to kickstart your next party. So put on your dancing shoes while sending out those letters for Amnesty International.
Score: 7 out of 10
http://www.leechredda.com

Enemy Rose - Promises We'll Never Keep


From my hometown Antwerp comes Enemy Rose, a relatively new band that likes to crank out sleazerock songs on their debut "Promises We'll Never Keep". They might be a new band but its members aren't... vocalist Tommy X and guitarist Sammy Dimera both play in The Heartaches while bassist Ponzy calls Smash My Radio home and guitarist Spinal Steve does his thing with Smooth Lee. So this is a bunch of friends coming together and making the music they like. No pressure. And it shows on "Promises We'll Never Keep"... raw rock n roll with plenty of catchy choruses like you've already heard before. But it's still good so who am I to complain?
Score: 7 out of 10
http://www.iscreamrecords.com

Bad Luck Charms - S/T


Kerry Martinez might not be the biggest name in the punkrock scene but along with Duane Peters, he is the driving force behind US Bombs. For Bad Luck Charms he has surrounded himself with a couple of friends including Brian Knott (The Nuns) and Brenden Deal (B.A.D) and together they wrote a bunch of songs that make up the band's self-titled album.

If you're into sleazy glam a la Hanoi Rocks and downright dirty punkrock like Dead Boys used to play, then you should waste no more time reading the rest of this review but just go out and pick up a copy of this album. Hellcat should be releasing this album but instead they're happy to release crap albums these days by even crappier bands. Oh well, their loss I guess. If you wanna hear good solid streetpunk like Hellcat used to be known for a couple of years ago, go ahead and pick this one up!
Score: 6.5 out of 10
http://www.iscreamrecords.com

Weezer – The Red Album



I have to say that I lost touch with Weezer after their debut charmed the hell out of me. Geekrock… I loved it for a while! After that I became the slick, suave macho man that I am now and didn’t look back. And honestly, the Weezer songs I heard on the radio in years to come never really seemed as catchy as say, “Buddy Holly” or “Say It Ain’t So” with “Beverly Hills” as the absolute worst and most uninspired I’ve ever heard them.

But they’re back now with another self-titled album that heralds the band’s red period. And with a new colour come some changes. For the first time other band members got to write songs and even sing a couple of them on the album. Yes, they are the least interesting of the bunch and you’ll find them towards the end of the album under the names “Cold Dark World”, “Thought I Knew” and “Automatic” but still!

What is still intact are the melodies and catchy choruses that are firmly rooted in your brain after just one listen. Take single “Pork And Beans” for instance! Or the mellow “Heart Songs” where Cuomo reminisces about the songs that mean the world to him from Debbie Gibson and Michael Jackson to Nirvana and Slayer.

It seems that changing instruments around and not being the only one writing songs, did Cuomo good and made him write some of his most inspired songs in years. Welcome back Weezer!
Score: 8 out of 10
http://www.interscope.com
http://www.weezer.com

Thrice – The Alchemy Index vol. III & IV : Air & Earth



When I first listened to vol. I & II of “The Alchemy Index” I wasn’t all that impressed. Not that I didn’t like it, it just wasn’t what I was expecting to hear from Thrice. Sure, they’ve always enjoyed their little sonic experiment here and there but this was something else entirely. But eventually the release grew on me. So now I’m finally listening to vol. III and IV and it’s way easier to get into. Not only because the previous release kinda prepared me for what I was gonna hear but most of all because this is definitely the better half of “The Alchemy Index”.
“Air” shows all the different sides of Thrice who – just like the wind – can go from gently breezing to raging within seconds. Lots of drum beats and electronic sounds here with “The Sky Is Falling” and the incredibly intimate “Silver Wings” as the highlights.

“Earth” sounds exactly like what you’d expect from it… rootsy, earthy (if that’s a word). It reminds me a lot of vocalist Dustin Kensrue’s solo album “Please Come Home”. It sounds all cozy and warm which probably has something to do with the fact that they recorded it in a barn with wooden floors and they played all acoustic instruments. Highlights here include “Come All You Weary” and the Frodus cover “The Earth Isn’t Humming”.

When you put all 4 EP’s together, you’ve got a whopping 24 songs in total that show all the different sides there are to Thrice. While it’s a lot to take in, it does prove that whatever these guys do, they do it well. Not one release by Thrice has sounded similar and I for one am curious to see what they’ll be up to next!
Score: 8.5 out of 10
http://www.vagrant.com
http://www.thrice.net

Statues – Terminal Bedroom



Statues is a Canadian band that combines the best of powerpop and 70s British punk. On “Terminal Bedroom” you’re treated to a total of twelve songs that will make it hard for you to decide whether to start dancing or singing along. There’s always the possibility of doing both at the same time but I’m a guy and we can’t do two things at once.

“Terminal Bedroom” is a compilation of a couple of 7” the band put out over the years but I doubt you can tell the difference between this and one of the band’s regular full-lengths. It all sounds cohesive, catchy and fun and I can’t seem to get “No Time” out of my head. Plus they make GG Allin sound like The Buzzcocks with their version of “Dead Or Alive”. There’s pretty much no going wrong with this one!
Score: 7.5 out of 10
http://www.derangedrecords.com
http://www.statues.ca

Withered – Folie Circulaire



Atlanta's Withered already left a blistering impression with their Lifeforce release "Memento Mori" and they're back now with "Folie Circulaire", their debut for Prosthetic, the home for all things heavy on this planet.

With their sludgy take on death metal, they've got quite something special on their hands. The first half blends these two together seamlessly without letting either one take control of the reins. On the second half however, it's death metal city all the way. And as much as I like that doomy sound, it sounds frigging awesome especially when you listen to the Necrophobic cover "Into Armageddon" and the one-two punch of "Purification Of Ignorance" and "Drawn Black Drapes".

One thing's for sure though if you listen to Mastodon, Light Pupil Dilate and Withered... there's one talented bunch of metalheads living in Atlanta!
Score: 8 out of 10
http://www.prostheticrecords.com
http://www.withered.net

The Funeral Pyre – Wounds



On their last album, The Funeral Pyre still had this whole black meets death metal going on. It was pretty decent but that was about it. For “Wounds” they ditched pretty much all of their death metal leanings and came out as a surprisingly good black metal band. I say surprisingly because these guys don’t come from the middle of some frozen Swedish forest but instead they call La Habra in sunny California home.

They know how to write an enticing song and shred like crazy without feeling the need to go on a solo binge every 30 seconds. Which is something to be admired if you ask me. It’s great music with lots of atmosphere and yes, melody. All that needs to change is that these guys need a bigger budget to spend on production. When that happens I’ll probably have to say that Dimmu Borgir and Emperor have a serious competitor on their hands.
Score: 7.5 out of 10
http://www.prostheticrecords.com

86 Mentality – Final Exit



On 86 Mentality’s “Final Exit” you’ll hear 7 songs that were recorded in the studio and 6 songs that were recorded live in Belgium at one of my favorite clubs ever, Lintfabriek (RIP). Don’t expect anything you’ve never heard before, just straight-up no-frills hardcore streetpunk straight out of Washington DC, including a Varukers cover of “Soldier Boy”. If you’re into Negative Approach and the likes, you’re gonna love this!
Score: 6.5 out of 10
http://www.derangedrecords.com

The Queers – Live Febraury 3, 2003 – The Bowery Collection



The Queers don’t like to waste any time and neither do I… so let me just say that on this live album - which was recorded at CBGB’s - these guys do what they do best. Which is play snotty poppunk. 31 songs’ worth of snotty poppunk. That’s a lot of songs. Meaning there’s no time for stage banter. It’s mostly Queers originals but they left a little room to squeeze in a Ramones and a Mr. T Experience cover.

Can one ever get tired of a band that mixes up The Ramones with Beach Boys melodies? I don’t think so. And hopefully neither do The Queers! Whether you’re a longtime fan or looking for an introduction to these guys, this live album will do the trick. No questions asked!
Score: 7.5 out of 10
http://www.mvdaudio.com
http://www.thequeersrock.com

Dear Life – Framework



Dear Life comes to the table equipped with an angry dude that screams a lot, gang vocals to get that crowd participation going, plenty of chugga cugga riffage and a whole lot of breakdowns. Yes, this is yet another metalcore release!

I can’t really say anything bad though about “Framework” because Dear Life plays a pretty potent kind of metalcore and they have loads of energy. It’s just that… haven’t we all heard this like a zillion times before? I can pretty much dream these songs and unfortunately sometimes I do and then I wake up acting like a singer of a metalcore band… screaming and with sweat dripping down my face.

Anyway, Dear Life doesn’t do anything wrong and I’m sure you’ll see them opening for a whole bunch of bigger bands but they lack that something extra that would make them stand out in a scene so crowded Maybe they should bring back Hammer-pants and mosh in those… that would be awesome!
Score: 6 out of 10
http://www.uprisingrecords.com
http://www.myspace.com/dearlife

Foo Fighters – Live In Hyde Park DVD



When Dave Grohl and his friends decide to throw a party, they don’t halfass the thing. Instead they invite 85 000 people to Hyde Park and play a kickass show that features most of their hits. And as if just that isn’t enough yet, then in comes Lemmy to sing “Shake Your Blood” while Brian May and Roger Taylor join the band onstage for the Queen classic “Tie Your Mother Down”. No extras, just a solid rock show with a great sound…. And that’s exactly the way I like my Foo Fighters and my concert DVDs!
Score: 9 out of 10
http://www.rcarecords.com

Gemini Five – Sex Drugs Anarchy



Can you think of a more retarded album name? How cliché is that shit? Anyway, on album number three Gemini Five is still doing the hardrock thing and they’re actually pretty damn good at it. Unfortunately for them I don’t like Motley Crue and I hate Def Leppard. So this album is completely wasted on me… Fans of the abovementioned acts should definitely pick up “Sex… sorry, can’t even type that name again… should definitely pick this album up because the guys in Gemini Five don’t seem to have a lack of great riffs or catchy choruses.
Score: 7 out of 10
http://www.wildkingdom.se
http://www.geminifive.com

Islands – Arm’s Way



Islands started out in 2005 after some dudes from a Canadian band called Unicorns decided to start something new. At first it was both Jamie Thompson and Nick Thorburn we called the shots together but when Thompson called it a day, Thorburn was left in charge on his own. Not that it affected the band’s sound a lot because as you can hear on “Arm’s Way”, Islands still knows how to write great pop songs with plenty of violin parts in them.

It may not sound as spontaneous or quirky as the band’s debut “Return To The Sea” but that’s fine by me because I felt they were overdoing it a little back then. 68 Minutes might be overdoing it just a little as well, especially because some of the songs could’ve easily been left off the album. But hey, “Arm’s Way” has some pretty decent songs to offer you so why not check it out when you have the chance.
Score: 6.5 out of 10
http://www.roughtraderecords.com
http://www.islandsareforever.com

Electric President – Sleep Well



On “Sleep Well”, Electric President revisits their debut album. Which means it’s good but they played it kinda safe. This indietronic duo consists of Ben Cooper and Alex Cane and they’re really good at churning out these atmospheric, sometimes haunting electronic pop gems with vocals that bring Death Cab For Cutie to mind. They call Florida home and I can just see them coming up with these songs while watching the old people shuffle through their retirement community. My favorite songs on here would have to be “All The Bones” which has guitars going off in all directions a la Explosions In The Sky and the Mogwai-like (if they would use falsetto vocals) “We Will Walk Through Walls”. Great album to listen to in the middle of the night when you feel like the last person awake.
Score: 7.5 out of 10
http://www.morrmusic.com

Monochrome - Caché


Monochrome is a German band that has been around for 14 years already. At first they started out as a hardcore band called Dawnbreed and then went through a post-hardcore phase already under the moniker of Monochrome before settling on something that is best described as indiepop.

They manage to keep things interesting most of the time with the male/female vocals of Marc Calmbach and Kate Complikate but overall this is indiepop like you’ve heard it before. Doesn’t matter whether they slow things down on the very mellow “Motif” or add a little urgency like in closer “Detour Ahead”… it’s nice to listen to, just not entirely memorable. Especially not when you’re talking about the largely boring “Les Pantalons Heavy Metal’ which sounds like some Air reject.
Score: 6.5 out of 10
http://www.stickman-records.de
http://www.monochromepopgroup.com

9.7.08

P. Paul Fenech - Skitzo Fenech


With the last Meteors' album not all that far behind him, frontman P. Paul Fenech already unleashes his next solo album upon his not so innocent fans. Does it sound any different from The Meteors? Not, really... maybe a little more surf but other than that this is straight-up psychobilly. With one of the big masters himself doing the writing, that has to be good, right? Well, kinda. I doubt Fenech will ever release a bad album (quite the contrary with his lyrics which are about all kinds of bad) but I do kinda get the vibe that Fenech was simply going through the motions with this one. It all sounds okay but it never gets truly exciting. Better luck next time!
Score: 6 out of 10
http://www.peoplelikeyou.de

The Peacocks - Gimme More


Switzerland's finest rockabilly band with a punk twist signed to People Like You Records and to celebrate the occasion, immediately released this 7-song EP. It contains leftovers from the band's "Touch And Go" recording session but the songs on here sound like anything but leftovers. Instead, The Peacocks simply churned out a couple more of their rocking stand-up bass-enhanced rock tunes that will make you regret leaving your dancing shoes at home.
Score: 7 out of 10
http://www.peoplelikeyou.de

Final Prayer - Filling The Void


Germany's Final Prayer might be a new name to me but the sounds I'm hearing on their second full-length ("Filling The Void") are anything but new. Think of Hatebreed and Terror and you've got it pretty much all sketched out.

They're doing a pretty spot-on job though so who am I to complain? It's loud, it's brutal and it'll get any pit going and sometimes that's all it takes.
Score: 7 out of 10
http://www.gsrmusic.com

Strength Approach - All The Plans We Made Are Going To Fail

These guys have already been around for ten years, yet "All The Plans We Made Are Going To Fail" is only their second full-length. They've got a couple of 7" out as well but still... one thing all of their releases have in common though is that they're all released on different labels. They've signed with GSR now which is cool. They don't sound like your typical GSR band but I think it could work out for all the players involved.

With a sound that holds its own between H2O (who they are on tour with now) and Sick Of It All, they do a pretty banging job on their new album and race through 15 songs in 28 minutes. If old school is your thing, check out Strength Approach. Chances are you'll like it!
Score: 7.5 out of 10
http://www.gsrmusic.com
http://www.strengthapproach.com

The Band Of Heathens - S/T



Band Of Heathens is a relatively new band to come out of the Austin country scene. What started as a bunch of dudes being on the same bill over at Momo's, soon turned into a collaboration onstage which in turn evolved into a full-fledged band.
On their Ray Wylie Hubbard-produced debut, these Southern boys shine in writing country songs that don't sound like those polished up turds of patriotic love that are being passed up as country nowadays and that make me throw up in my mouth a little. With some folk-rock ("This I Know") and Delta blues ("Second Line") thrown in, Band of Heathens managed to put together a compelling album that is guaranteed to spread their name way beyond the Austin city limits. So grab a cold beer, sit your ass in that rockin' chair and enjoy the mellow sounds of The Band Of Heathens.
Score: 7 out of 10
http://www.bohrecords.com

Verse – Aggression


Gee, a hardcore band whose album is named “Aggression”? I don’t know what to expect! Which of course isn’t true since we are talking about Verse’s third album here and I know damn well what to expect and I ain’t settling for anything else but some kickass hardcore. And once again Verse doesn’t disappoint! If anything they easily supercede all expectations. And after predecessor “From Anger And Rage” those expectations were pretty damn high.

The album opens calmly enough until vocalist Sean Murphy opens his yap and we’re off for nearly half an hour of beautiful noise. Verse’s aggression doesn’t translate itself in double bass drums or death metal riffs. No, Verse swears by poignant lyrics and mostly midtempo songs to make their point without losing even the least bit of energy, passion and yes, aggression. Think Bane, Inside Out or Champion. But actually it’s not fair to compare Verse to other bands because with “Aggression” they’ve definitely proven to be one of those acts other bands should be compared to. If they are that lucky!
Score: 8.5 out of 10
http://www.bridge9.com
http://www.myspace.com/verse

Static Radio NJ – An Evening Of Bad Decisions


There’s something about New Jersey! I have no idea what exactly though. But as long as great bands keep popping out of that place like zits on the face of the average Panic At The Disco fan, I’m not gonna bitch about it.

Latest one in line is an act called Static Radio NJ. Here’s a bunch of dudes that just released their debut full-length called “An Evening Of Bad Decisions” and it rocks from start to finish with enough grit to choke on. At their most angry, they sound not unlike Kid Dynamite (“Bothered”) but most of the time they’re doing the whole Lifetime-thing and I have to say it’s working for them. They’ve got the melodies, gruff vocals and loud bass lines down pat along with more sinceriity than you can shake a stick at. And that’s exactly why fans of The Lawrence Arms, The Bouncing Souls, The Loved Ones, Hot Water Music as well as the abovementioned acts should all embrace these guys. If not, it’s your loss and I can’t be held responsible for the consequences!
Score: 7.5 out of 10
http://www.theblacknumbers.com
http://www.myspace.com/staticradio

Aborted – Strychnine.213


For a long time Aborted was Belgium’s finest grindcore band, maybe even Europe’s. But a lot of the diehard fans weren’t too happy with the band’s cleaner and more melodic sound on their Century Media debut “Slaughter & Apparatus : A Methodical Overture”. For those who thought the band would go back to their old sound after all the criticism, you’re in for a disappointment because on “Strychnine.213” Aborted simply evolves further and ends up sounding more like an extremely organised killer rather than some friggin’ maniac who’s giving himself a blowjob with the decapitated head of one of his victims.

Granted, the result doesn’t have a whole lot to do anymore with raunchy grindcore but these butchers do know how to play some pretty good death metal. I have no idea what songs like “The Chyme Congeries” or “A Murumur In Decrepit Wits” are about but I’m pretty sure it’s all about different ways to torture, maim or kill someone. All in a day’s work when you play in Aborted I guess.
Score: 6.5 out of 10
http://www.centurymedia.com
http://www.goremageddon.be

Drive-By Argument – S/T


Drive-By Argument was formed during a university music course where names were randomly picked out of a hat. These guys stuck together though after class was dismissed, named themselves after a Family Guy sketch and dubbed their music four-to-the-floor unhappy hardcore.

What that means? Well, they’re an indie poprock band that likes their guitars with plenty of electronica (read: beats and things that go bleep in the night). The result lies somewhere between Enter Shikari with Bloc Party guitars along with the familiar sounds of the indiepop hype of the moment. Opener “The Sega Method” is pretty damn contagious and they manage to keep the momentum going on most of the album while closer “Cyclists Turn Red Lights” is truly memorable with a mellow 80ies vibe going on in the keyboard lines.
Score: 7.5 out of 10
http://www.lizardkingrecords.net
http://www.drivebyargument.co.uk

Saviours – Into Abaddon


M-E-T-A-L… yeah baby! After seeing what a friggin’ joke a band like Judas Priest has become, it’s good to know that there are still bands around that like to keep the ‘rue metal flame alive (I wrote that with the horns high in the air!).

Take Saviours for example. What they’re doing is not exactly new but with a dual guitar attack so vicious, a rhythm section so tight and a vocalist so dark, they manage to keep my ears glued to the speakers for the entire duration of the album. These guys live for the riff !And if you’re hearing a lot of Maiden, early Metallica and some Diamond Head in there with additional High On Fire grit, you are absolutely right. So start banging that head already!
Score: 7 out of 10
http://www.kemado.com
http://www.killforsaviours.com

Langhorne Slim – S/T


There’s a singer/songwriter hidden behind the Langhorne Slim moniker. His name is Sean Scolnick and he wrote some pretty decent tunes for his eponymous album. Sounding like a cross between Josh Ritter and Ike Reilly, Scolnick mixes soul, folkrock, country and blues to a quirky and catchy whole that is pleasing during some songs and simply irresistible during others.

He likes to keep things upbeat which is pretty much always a good thing in my book and rather than navel-gazing too much, he is happy with firing off a dirty blues riff while sharing some of his optimistic views on life with us. I’m seriously digging this album and while some of the songs here feel a little lighter than others, “Spinning Compass” and “Rebel Side Of Heaven” are just two of this album’s memorable moments.
Score: 8 out of 10
http://www.kemado.com
http://www.myspace.com/langhorneslim

Danava – Unonou


With plenty of Blue Cheer riffage and Black Sabbath doom and gloom, Danava goes on a psychedelic rock trip of proportions on their sophomoric full-length. Throw in some spacy stoner sounds and you’ll know what’s about to hit you.

There are some very cool freakouts to be found throughout “Unonou” but overall I’d say they still fall a little short of staying interesting for the album’s entire duration. It’s a definite improvement over their last album though so who knows what they’ll cook up next time!
Score: 6 out of 10
http://www.kemado.com
http://www.myspace.com/danava