Every Time I Die is back and rather than mellowing out as the years go by, these guys seem to get more intense and more pissed off with every single album. Seeing as “Ex Lives” is already their sixth album, it makes you wonder how much further they can go before that throbbing vein on their forehead finally bursts.
Opener “Underwater Bimbos From Outer Space” gets to kick things off and does so voraciously. Well, basically every song on here is voracious… “Holy Book Of Dilemma” is like that guy that knocks you out and “A Wild, Shameless Plain” is the one that will come up and kick you when you already down. “Revival Mode” is a bit more mellow… groovy rock n roll with a kickass riff. Every Time I Die likes to surprise as well from time to time and so they throw a banjo into the mix on “Partying Is Such Sweet Sorrow” or pour an organ over “Indian Giver”.
37 Minutes of awesome, that’s basically what “Ex Lives” boils down to. Please hold on tight, things are about to get rocky!
Score: 8.5 out of 10
http://www.epitaph.com
http://www.everytimeidie.net
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12.9.12
Millencolin – The Melancholy Connection
The Swedish punkrockers that make up Millencolin have been around for twenty years and to celebrate the occasion , they released “The Melancholy Connection”. It’s a collection that comes with two new songs (“Carry You”, “Out From Nowhere”) and a bunch of rarities that date all the way back to “Pennybridge Pioneers” and lead up to today. All of the songs on offer are vintage Millencolin tunes and are in no way leftovers that weren’t good enough to be featured on previous albums.
This release comes with a DVD as well, full of footage the guys themselves shot while recording “Pennybridge Pioneers” in LA alongside live material from the 10th anniversary tour where they played the album in full.
All in all a cool birthday present for the loyal fans which should keep us satisfied until a new full-length comes out.
Score: 7.5 out of 10
http://www.epitaph.com
http://www.millencolin.com
This release comes with a DVD as well, full of footage the guys themselves shot while recording “Pennybridge Pioneers” in LA alongside live material from the 10th anniversary tour where they played the album in full.
All in all a cool birthday present for the loyal fans which should keep us satisfied until a new full-length comes out.
Score: 7.5 out of 10
http://www.epitaph.com
http://www.millencolin.com
Skip The Foreplay – Nightlife
Daring to attempt something new is a good thing and something to be encouraged… to boldly go where no man has gone before and all that crap. Except in the case of Canada’s Skip The Foreplay who should go where no man has gone before and stay there. That’s their penalty for trying to combine metalcore with dubstep on “Nightlife”. Newsflash… they fail miserably!
Just like Enter Shikari before them, they prove one thing and that is that heavy guitars and electronic music don’t mix. One is heavy and ugly, the other is cute, übermelodic and unless you’re five years old and still believe “The Beauty and The Beast” is possible in real life, you know that ugly and pretty don’t mix.
Score: 2 out of 10
http://www.epitaph.com
http://www.facebook.com/skiptheforeplaymtl
Just like Enter Shikari before them, they prove one thing and that is that heavy guitars and electronic music don’t mix. One is heavy and ugly, the other is cute, übermelodic and unless you’re five years old and still believe “The Beauty and The Beast” is possible in real life, you know that ugly and pretty don’t mix.
Score: 2 out of 10
http://www.epitaph.com
http://www.facebook.com/skiptheforeplaymtl
25.8.12
Save Ends – Strength Vs. Will
Featuring former members of No Trigger and Rotary, Save Ends is a Boston-based outfit that likes to play pop-punk tunes. They have this abundant sound that jumps at you and doesn’t let go. Not that it digs its claws in, they just hug you really, really tight sounding cute as hell on songs like “Sweet Defeat” and “Resurrection Hub”.
They might need to throw in a little more diversity but the dual vocal delivery courtesy of Christine Atturio and Brendan Cahill gives the material that little boost needed to take it to the next level. After having listened to “Strength Vs. Will” a couple of times, I’m thinking it’s not going to take them a lot of effort to find a decent label.
Score: 6.5 out of 10
no label
http://saveends.bandcamp.com
They might need to throw in a little more diversity but the dual vocal delivery courtesy of Christine Atturio and Brendan Cahill gives the material that little boost needed to take it to the next level. After having listened to “Strength Vs. Will” a couple of times, I’m thinking it’s not going to take them a lot of effort to find a decent label.
Score: 6.5 out of 10
no label
http://saveends.bandcamp.com
Blonds – The Bad Ones
Apparently Blondes and Blond had already been taken, the first being a New York City-based electronic duo and the latter being a Swedish boy band. Which is probably why Florida natives Cari Rae and Jordy Asher had to settle on Blonds. Following up last year’s “Dark Roots” EP the couple has now dropped their first full-length. It’s called “The Bad Ones” and I doubt they are talking about the songs on the album.
Blonds often get compared to Tennis and Cults because all of them consist of a boy and a girl making pop music. The thing that sets Blonds apart though is that there’s nothing cute about their music. Listening to “Amen” or “Mr E” conjures up images of an era that’s long gone and that we only get to relive whenever Mad Men is on. But the sound has been given a modern update and if there wasn’t such a thing as retro electro (electretro?) already, then there is now.
The songs on here ooze with sexy and flawlessly combine twang (“Run”), doo-wop, bluesy riffs and pop with femmes fatales and 60s chic and make me want to use words like suave and enticing. Check them out now so you can be one of the first to create buzz around them!
Score: 8 out of 10
no label
http://blonds.bandcamp.com
Blonds often get compared to Tennis and Cults because all of them consist of a boy and a girl making pop music. The thing that sets Blonds apart though is that there’s nothing cute about their music. Listening to “Amen” or “Mr E” conjures up images of an era that’s long gone and that we only get to relive whenever Mad Men is on. But the sound has been given a modern update and if there wasn’t such a thing as retro electro (electretro?) already, then there is now.
The songs on here ooze with sexy and flawlessly combine twang (“Run”), doo-wop, bluesy riffs and pop with femmes fatales and 60s chic and make me want to use words like suave and enticing. Check them out now so you can be one of the first to create buzz around them!
Score: 8 out of 10
no label
http://blonds.bandcamp.com
Certain People I Know – Certain People I Know
Certain People I know features certain people I know. Not personally, but Bob Nanna and Damon Atkinson have been in Braid and Hey Mercedes, two bands you should know. Together with another guitarist, a bassist and a keyboard player – all three of whom I don’t know – they recorded an album called yes, indeed… “Certain People I Know”.
Opener “Neverlasting” will sound familiar to everyone who’s ever heard a Hey Mercedes song. It’s smooth sailing and the only difference I can find are the added keyboard sounds and the female vocals that pop up in the middle for a second. We hear more of those on “Our Lady Of Guadalupe” when Lauren LoPiccolo sings the verses and Nanna takes care of the chorus. Their voices go well together and I’m wishing there were more songs where they traded off vocals. “King Of Shots” is another highlight where we find Certain People I know rocking out.
There are however a couple of songs on here (“Make It Up” for example) that simply drift by without really leaving an impression. Knowing that Nanna can do better and considering the fact that there are only nine songs on here to begin with, it’s something of a bummer. All in all a pleasant enough release though.
Score: 6.5 out of 10
http://www.cylsrecords.com
http://www.facebook.com/certainpeopleiknow
Opener “Neverlasting” will sound familiar to everyone who’s ever heard a Hey Mercedes song. It’s smooth sailing and the only difference I can find are the added keyboard sounds and the female vocals that pop up in the middle for a second. We hear more of those on “Our Lady Of Guadalupe” when Lauren LoPiccolo sings the verses and Nanna takes care of the chorus. Their voices go well together and I’m wishing there were more songs where they traded off vocals. “King Of Shots” is another highlight where we find Certain People I know rocking out.
There are however a couple of songs on here (“Make It Up” for example) that simply drift by without really leaving an impression. Knowing that Nanna can do better and considering the fact that there are only nine songs on here to begin with, it’s something of a bummer. All in all a pleasant enough release though.
Score: 6.5 out of 10
http://www.cylsrecords.com
Black September – Into The Darkness Into The Void
Summer’s almost over and if these Chicago natives get their way September is going to be a very bleak month. “Into The Darkness Into The Void” is a dark as fuck album where the death metal of their debut gets mixed up with a dose of black metal to make it all sound even more endearing.
Listening to tracks like “Rabind Hunger and “Unhallowed Ground” is like watching someone poke around in a festering wound… all kinds of nasty stuff is going to come out! If you’re into other wholesome, family-friendly acts such as Nachtmystium, Dissection or the mighty Bolt Thrower, you’re gonna go nuts over “Into The Darkness Into The Void”. Meanwhile priests everywhere are stocking up on holy water.
Score: 7.5 out of 10
http://www.prostheticrecords.com
http://www.facebook.com/blackseptemberchicago
Listening to tracks like “Rabind Hunger and “Unhallowed Ground” is like watching someone poke around in a festering wound… all kinds of nasty stuff is going to come out! If you’re into other wholesome, family-friendly acts such as Nachtmystium, Dissection or the mighty Bolt Thrower, you’re gonna go nuts over “Into The Darkness Into The Void”. Meanwhile priests everywhere are stocking up on holy water.
Score: 7.5 out of 10
http://www.prostheticrecords.com
Down By Law – Champions At Heart
Wow, where the hell did this one come from all of a sudden? Seems like Dave Smalley got an energy boost from playing shows with DYS and just churned out a new Down By Law album while he was at it. Even better yet, the first Down By Law album since 2003 is a fun one and just what I need to get my Friday started.
“Bullets” gets to open the dance… it’s a vintage Down By Law song and along with “Popcorn & Coke” and “” it wouldn’t have looked out of place on any of their classic albums. “Knock This Town” comes with a Stiff Little Fingers vibe and the folky vibe that’s been introduced on “Fly The Flag” is still present in tracks like “Tiny Answers” and “Warriors United”. A couple of others on here aren’t quite up to par with the rest (“Crystals”) but all in all “Champions At Heart” is another solid addition to the band’s already impressive back catalog and a nice return to form after nine years of near silence.
Score: 7.5 out of 10
http://www.dcjamrecords.com
http://www.downbylaw.com
“Bullets” gets to open the dance… it’s a vintage Down By Law song and along with “Popcorn & Coke” and “” it wouldn’t have looked out of place on any of their classic albums. “Knock This Town” comes with a Stiff Little Fingers vibe and the folky vibe that’s been introduced on “Fly The Flag” is still present in tracks like “Tiny Answers” and “Warriors United”. A couple of others on here aren’t quite up to par with the rest (“Crystals”) but all in all “Champions At Heart” is another solid addition to the band’s already impressive back catalog and a nice return to form after nine years of near silence.
Score: 7.5 out of 10
http://www.dcjamrecords.com
Mean Jeans – Mean Jeans On Mars
Mean Jeans make things clear from the get-go… they are ready to rip it up ! And if that doesn’t make things clear enough, you still have “Hangin’ Tuff” and “Don’t Stop Partying” to let the sentiment really sink in.
With plenty of whoo whoo’s, songs that deserve to be started with a loud 1-2-3-4 and just a couple of chords, these guys show what pop-punk is all about. There are so many bands that try their hand at this kinda sound but few actually pull it off to keep things interesting for an entire album. Marked Men was such a band and Mean Jeans is another one.
So yeah, the Ramones aren’t dead… they’re wearing Mean Jeans and apparently reside on Mars.
Score : 8 out of 10
http://www.dirtnaprecs.com
http://www.myspace.com/themeanjeans
With plenty of whoo whoo’s, songs that deserve to be started with a loud 1-2-3-4 and just a couple of chords, these guys show what pop-punk is all about. There are so many bands that try their hand at this kinda sound but few actually pull it off to keep things interesting for an entire album. Marked Men was such a band and Mean Jeans is another one.
So yeah, the Ramones aren’t dead… they’re wearing Mean Jeans and apparently reside on Mars.
Score : 8 out of 10
http://www.dirtnaprecs.com
White Wires – WWIII
Canada’s White Whires are back with an album that’s bigger. They’ve always been good but here things just sparkle and will brighten up your day. Their latest batch of garage-y powerpop songs comes with more hooks, more bounce and a clearer sound that makes their songwriting skills stand out even more than before.
“WWIII” is the kind of album you put on when you need to kickstart a party. Everything from the backing vocals to the loosely played melodies scream fun and if you’re into rock n roll there’s just no way you’re not going to like this album!
Score: 8.5 out of 10
http://www.dirtnaprecs.com
http://www.myspace.com/theewhitewires
“WWIII” is the kind of album you put on when you need to kickstart a party. Everything from the backing vocals to the loosely played melodies scream fun and if you’re into rock n roll there’s just no way you’re not going to like this album!
Score: 8.5 out of 10
http://www.dirtnaprecs.com
23.8.12
No Motiv interview
No Motiv released a new EP a couple of months ago on Siren Records. That same EP is now available on vinyl thanks to the fine people over at The Black Numbers. No matter which way you go... CD, vinyl or digital, "Winterlong" is definitely worth listening to. In my eyes No Motiv has always been one of the most underrated bands around and it's good to have them back. Read on to see what Roger Camero had to tell us.
PRT: First of all… glad to see you guys are back! Not really a question but I was seriously bummed out that there never was a sequel to “Daylight Breaking”!Roger: Well, thank you! Even though Winterlong was released last year, we are still very happy that the songs were able to see the light of day. Now that Black Numbers has teamed up with Siren to release it on vinyl, we really couldn't be happier. Those songs mean a lot to us, and we feel that musically, those are some of the best songs we've ever written. To have them available to the public is a special thing.
PRT: You guys called it a day after some tours that didn’t work out alongside your last album not living up to its full potential. Were those the only reasons?Roger: I don't think that the lack of success from the Daylight Breaking touring cycle was the only reason why we stopped touring. A lot of things came into play around that time. I think some of us were at a crossroads being in our mid 20's at the time. Having spent the past 10-plus years dedicated to the band, some of us felt it was time for a change. At that point, we realized that, musically, we had become a very different band from what we tried to establish ourselves as when we had our first release on Vagrant. There was some talk as to maybe changing our name and moving forward with the style that later ended up becoming Winterlong. I think the rest of the band was ready for a fresh start of rebuilding a fanbase under a new name. I personally felt that it was time for us to stop making No Motiv our life’s priority. My decision to go back to school basically was the end of our touring existence for No Motiv. I can't say that everyone felt that a break or hiatus was the best or right thing to do, but everyone was very supportive of my decision to call it quits.
PRT: I’m asking because I always felt you were one of the most underrated bands around. Looking back, is there anything you would like to have done differently?Roger: I think we were very lucky to have had the opportunity to tour with such great bands, and I believe we were part of a special era of indie music. Looking back, I think we let our personal lives have a big effect on our ability to persevere as a band. There were multiple times during our career as a band where we started to gain momentum, only to get burned out and unable to stay on the road. I think we took a lot of things for granted, such as the rise of the Vagrant era, as well as our ability to get on big tours. We had a lot of great people working hard for us, but we just couldn't muster up the work ethic to keep us a full time band year in and year out. So, looking back, my only wish is that we should have toured more consistently and been more prolific of a band. Having said that, I really do appreciate what we were able to accomplish. It was a great run.
PRT: The songs on “Winterlong” were recorded not too long after the “Daylight Breaking” sessions. How come it took so long for you to release them?Roger: We wrote most of those songs soon after the Daylight Breaking cycle. We actually recorded some of the songs twice. With the first session, the hard drive we recorded on ended up becoming corrupted and we lost all the files. Soon after that first session, we stopped playing and that’s when all of us got involved in new bands and endeavors. It wasn't until 2007 that we started re-recording the songs for fun. It took quite some time to complete the record, as we worked on the album when we could find the free time to do so. The record was finally completed in 2009 and was mixed and mastered by 2010.
PRT: Now that the EP has been out for a while, are there any plans to do more? Or do you still consider this a one time thing?Roger: Anything is possible, but at the same time, I can't promise or guarantee anything. We are all close friends, but these days our priorities are with our families, work, and present bands/projects. It's just not realistic for us to spend much time with No Motiv related endeavors. Even so, every time we play music together, we have a really good time. We still love playing songs for people. We are all constantly writing new music, and perhaps at some point, we can make time to work on new stuff. Given our current situations, we will have to find new ways of working on music together. I think it can be done, so I'm just going to stay optimistic about it!
PRT: You’ve done one reunion show when the EP came out and another one just now… you never really stopped playing shows because you had your other projects but were you nervous for those shows because you were playing as No Motiv again?Roger: Since the release of Winterlong, we have played 4 shows. Our first show back was a bit strange, but it was in our hometown with all our friends hanging out together, having a good time. It was definitely a special night, and once we were a couple songs into the set, I think we got focused and had a great time. I think we felt more pressure when we had two shows with recently reunited Hot Rod Circuit. Those were also great shows, but we felt there was a higher level of expectation. We just played a show last Friday, also in our hometown, as a pre-wedding party for one of our old friends. So, with these 4 shows that we played since our return, things seem to come together pretty easily and who knows, maybe we will find ourselves playing one or two more before the year is over. We're having a good time, so lets keep it going.
Thank you for the interview, and thanks to Siren and Black Numbers for making our EP see the light of day.
PRT: You guys called it a day after some tours that didn’t work out alongside your last album not living up to its full potential. Were those the only reasons?Roger: I don't think that the lack of success from the Daylight Breaking touring cycle was the only reason why we stopped touring. A lot of things came into play around that time. I think some of us were at a crossroads being in our mid 20's at the time. Having spent the past 10-plus years dedicated to the band, some of us felt it was time for a change. At that point, we realized that, musically, we had become a very different band from what we tried to establish ourselves as when we had our first release on Vagrant. There was some talk as to maybe changing our name and moving forward with the style that later ended up becoming Winterlong. I think the rest of the band was ready for a fresh start of rebuilding a fanbase under a new name. I personally felt that it was time for us to stop making No Motiv our life’s priority. My decision to go back to school basically was the end of our touring existence for No Motiv. I can't say that everyone felt that a break or hiatus was the best or right thing to do, but everyone was very supportive of my decision to call it quits.
PRT: I’m asking because I always felt you were one of the most underrated bands around. Looking back, is there anything you would like to have done differently?Roger: I think we were very lucky to have had the opportunity to tour with such great bands, and I believe we were part of a special era of indie music. Looking back, I think we let our personal lives have a big effect on our ability to persevere as a band. There were multiple times during our career as a band where we started to gain momentum, only to get burned out and unable to stay on the road. I think we took a lot of things for granted, such as the rise of the Vagrant era, as well as our ability to get on big tours. We had a lot of great people working hard for us, but we just couldn't muster up the work ethic to keep us a full time band year in and year out. So, looking back, my only wish is that we should have toured more consistently and been more prolific of a band. Having said that, I really do appreciate what we were able to accomplish. It was a great run.
PRT: The songs on “Winterlong” were recorded not too long after the “Daylight Breaking” sessions. How come it took so long for you to release them?Roger: We wrote most of those songs soon after the Daylight Breaking cycle. We actually recorded some of the songs twice. With the first session, the hard drive we recorded on ended up becoming corrupted and we lost all the files. Soon after that first session, we stopped playing and that’s when all of us got involved in new bands and endeavors. It wasn't until 2007 that we started re-recording the songs for fun. It took quite some time to complete the record, as we worked on the album when we could find the free time to do so. The record was finally completed in 2009 and was mixed and mastered by 2010.
PRT: Now that the EP has been out for a while, are there any plans to do more? Or do you still consider this a one time thing?Roger: Anything is possible, but at the same time, I can't promise or guarantee anything. We are all close friends, but these days our priorities are with our families, work, and present bands/projects. It's just not realistic for us to spend much time with No Motiv related endeavors. Even so, every time we play music together, we have a really good time. We still love playing songs for people. We are all constantly writing new music, and perhaps at some point, we can make time to work on new stuff. Given our current situations, we will have to find new ways of working on music together. I think it can be done, so I'm just going to stay optimistic about it!
PRT: You’ve done one reunion show when the EP came out and another one just now… you never really stopped playing shows because you had your other projects but were you nervous for those shows because you were playing as No Motiv again?Roger: Since the release of Winterlong, we have played 4 shows. Our first show back was a bit strange, but it was in our hometown with all our friends hanging out together, having a good time. It was definitely a special night, and once we were a couple songs into the set, I think we got focused and had a great time. I think we felt more pressure when we had two shows with recently reunited Hot Rod Circuit. Those were also great shows, but we felt there was a higher level of expectation. We just played a show last Friday, also in our hometown, as a pre-wedding party for one of our old friends. So, with these 4 shows that we played since our return, things seem to come together pretty easily and who knows, maybe we will find ourselves playing one or two more before the year is over. We're having a good time, so lets keep it going.
Spook Houses – Trying
What started out as a duo back in 2010 grew into a quartet of New York slackers who have now released a throwback to the lo-fi bands of the nineties. Unfortunately it’s not very good.
You can pick up on the band’s influences easily enough. Built To Spill, Dinosaur Jr, Pavement,… it’s all there. But whereas those bands actually sounded like they didn’t care about anything, Spook Houses most of all sounds like a band that’s trying really hard not to care about anything. Especially the vocals are annoying as fuck. The guy sounds like he’s suffering from sleep deprivation and when he mumbles that he’s afraid to sleep in “Family Plot”, that’s actually the first time I believe him. Oh, and I’m pretty sure the extremely grating opener “Try Pt. 1 & Pt. 2” is some sort of test you have to sit through in order to be deemed cool enough to hear the rest of the album.
Get these guys on some uppers or better yet, get them a dose of emotions so at least they won’t sound like they’re stuck in a coma anymore.
Score: 3 out of 10
http://www.facebook.com/evilweevilrecords
http://www.facebook.com/spookhouses
You can pick up on the band’s influences easily enough. Built To Spill, Dinosaur Jr, Pavement,… it’s all there. But whereas those bands actually sounded like they didn’t care about anything, Spook Houses most of all sounds like a band that’s trying really hard not to care about anything. Especially the vocals are annoying as fuck. The guy sounds like he’s suffering from sleep deprivation and when he mumbles that he’s afraid to sleep in “Family Plot”, that’s actually the first time I believe him. Oh, and I’m pretty sure the extremely grating opener “Try Pt. 1 & Pt. 2” is some sort of test you have to sit through in order to be deemed cool enough to hear the rest of the album.
Get these guys on some uppers or better yet, get them a dose of emotions so at least they won’t sound like they’re stuck in a coma anymore.
Score: 3 out of 10
http://www.facebook.com/evilweevilrecords
Elenora – Avant-Garde EP
Elenora is a band I found next to nothing about online so I can’t really tell you a lot about them. They’re this emocore outfit that’s technically proficient without losing sight of making accessible and melodic tunes that pack plenty of punch. I especially like the guitar leads that occasionally pop up out of nowhere and the equally unexpected more atmospheric passages.
If you ask me they’re a couple years late with this kind of music because the heydays of bands such as Saosin and Senses Fail have already come and gone, but they do a pretty solid job nonetheless on songs like “An Open Book” and “Lost In The Sea” even if the songs start to sound alike towards the end.
Score: 6.5 out of 10
http://www.phmrecords.com
If you ask me they’re a couple years late with this kind of music because the heydays of bands such as Saosin and Senses Fail have already come and gone, but they do a pretty solid job nonetheless on songs like “An Open Book” and “Lost In The Sea” even if the songs start to sound alike towards the end.
Score: 6.5 out of 10
http://www.phmrecords.com
Years In The Making – Prevail
Years In The Making is still a couple of years away from living up to their band name seeing as they only started out last year. But they’re already showing some decent skills on “Prevail”, their first 5-song EP. They play the kind of pop-punk that New Found Glory introduced us to and that is still being churned out by the likes of Four Year Strong.
So while the material on here is not exactly original, they do everything you’d expect them to. Melodic riffs and lyrics about girls stand right alongside breakdowns and gang vocals. They do sometimes try to mix it up a little by introducing an electronic beat in “All Your Friends” but those elements are negligeable.
All in all a decent debut EP for all the pop-punkers out there who haven’t grown tired of this sound yet.
Score: 6 out of 10
http://www.phmrecords.com
http://yearsinthemaking.bandcamp.com
So while the material on here is not exactly original, they do everything you’d expect them to. Melodic riffs and lyrics about girls stand right alongside breakdowns and gang vocals. They do sometimes try to mix it up a little by introducing an electronic beat in “All Your Friends” but those elements are negligeable.
All in all a decent debut EP for all the pop-punkers out there who haven’t grown tired of this sound yet.
Score: 6 out of 10
http://www.phmrecords.com
Throw The Fight – What Doesn’t Kill Us
I was not at all convinced by Throw The Fight’s previous album but they seem to have pulled together nicely on “What Doesn’t Kill Us” and while they were at it, they toned down the screaming… good thinking!
While they still lay down some pretty heavy riffage, the keyboards and vocals bring a more poppy atmosphere that suits these guys. I’m thinking I’m a little too old too still be enjoying this to the fullest but hearing these songs did put a little more bounce in my step and the cover of “I Just Died In Your Arms” made me smile. Granted, it’s an easy way to score but they do it pretty good nonetheless.
Score: 6 out of 10
http://www.bullettooth.com
While they still lay down some pretty heavy riffage, the keyboards and vocals bring a more poppy atmosphere that suits these guys. I’m thinking I’m a little too old too still be enjoying this to the fullest but hearing these songs did put a little more bounce in my step and the cover of “I Just Died In Your Arms” made me smile. Granted, it’s an easy way to score but they do it pretty good nonetheless.
Score: 6 out of 10
http://www.bullettooth.com
Paper – Sunbeam
When drummers move up to the frontman position, it’s usually the right time to get worried. Just think of Taylor Hawkins’ solo album… yikes! Mike Marsh is best known as the guy behind Chris Carrabba in Dashboard Confessional but he also has his own project called Paper. And now he has an album out called “Sunbeam”. Sounds like a psychedelic pop album, right?
Well, that’s actually not too far off the mark. It’s a whole lot of poppy but not so much psychedelic as it is proggy. Not unlike what Genesis used to do back in the day. Marsh’s voice even sounds a little like Phil Collins’ at times. And just like Collins proved that a drummer becoming the frontman doesn’t always have to be a bad thing, so does Marsh with songs like “Turn Your Radio Off”, “Everybody Talks” and “Shine”.
Score: 7.5 out of 10
http://www.limitedfanfare.com
Well, that’s actually not too far off the mark. It’s a whole lot of poppy but not so much psychedelic as it is proggy. Not unlike what Genesis used to do back in the day. Marsh’s voice even sounds a little like Phil Collins’ at times. And just like Collins proved that a drummer becoming the frontman doesn’t always have to be a bad thing, so does Marsh with songs like “Turn Your Radio Off”, “Everybody Talks” and “Shine”.
Score: 7.5 out of 10
http://www.limitedfanfare.com
Daytrader – Twelve Years
Rise Records is on a roll, finally signing some bands worthy of attention like the Bouncing Souls, Hot Water Music, Make Do And Mend,… And now there’s the debut full-length of Daytrader, a band I had never heard of up until now.
“Dead Friends” gets to kick off the album and does so with a Marcy Playground vibe before launching into Jimmy Eat World mode in the chorus. “If You Need It” and “Firebreather” are two more energy shots that bring Brand New, Saves The Day and Taking Back Sunday to mind. But not in a copycat kinda way.
All of the songs on “Twelve Years” flow into one another nicely with guitars swirling one moment and making a ruckus the next while the rhythm section provides a solid backbone. Vocalist Tym (last name unknown apparently) has the kind of voice that fits the music to a T, going from powerful to introverted in seconds.
All in all, “Twelve Years” is a very good debut that should find a place in your collection right between “Bleed American”, “Tell All Your Friends” and “Deja Entendu”.
Score: 8.5 out of 10
http://www.riserecords.com
“Dead Friends” gets to kick off the album and does so with a Marcy Playground vibe before launching into Jimmy Eat World mode in the chorus. “If You Need It” and “Firebreather” are two more energy shots that bring Brand New, Saves The Day and Taking Back Sunday to mind. But not in a copycat kinda way.
All of the songs on “Twelve Years” flow into one another nicely with guitars swirling one moment and making a ruckus the next while the rhythm section provides a solid backbone. Vocalist Tym (last name unknown apparently) has the kind of voice that fits the music to a T, going from powerful to introverted in seconds.
All in all, “Twelve Years” is a very good debut that should find a place in your collection right between “Bleed American”, “Tell All Your Friends” and “Deja Entendu”.
Score: 8.5 out of 10
http://www.riserecords.com
Teenage Bottlerocket interview
Teenage Bottlerocket is well on its way to become a synonym for quality pop-punk as they just proved once again with "Freak Out!". Check it out if you haven't already but not before you read this email interview we did with Miguel.
PRT: Who are you and what would you like to tell our readers about yourself?Miguel: I'm Miguel I play bass in Teenage Bottlerocket and I enjoy candlelight dinners and long walks on the beach
PRT: For the people out there who haven’t heard of Teenage Bottlerocket yet… if you were the lovechild of two other bands, which acts would’ve had sex and which position were you conceived in?Miguel: Maybe if the Ramones and Descendents did a rusty bike pump they would produce us
PRT: I like how you have had the same kind of sound ever since you started out but always change things up enough to keep it exciting and fresh. Is that just the way songs turn out or do you sometimes abandon ideas because they don’t fit your sound? Miguel: We don't ever abandon songs because they don't fit a sound. We don't necessarily set out to write songs that sound a certain way, we just try and write songs that are good.
PRT: You’re always being coined as a pop-punk band… do you ever find yourself wanting to yell ‘there’s more to us than that’? Miguel: I think we're just stoked people are calling us anything at all, it means people are listening. We think of ourselves as a punk band, but are fine with being called pop punk too.
PRT: I think that what sets you apart from other bands are the vocals. Is that what you spend most of your time on when writing?Miguel: Definitely. Songs in our band sort of start with lyrics and vocals and everything else builds around that structure.
PRT: Something I always wondered about… how did you come up with the idea of always using the same cover? Miguel: A lot of our favorite bands have very similar record covers. For example the Ramones first albums all featured them standing together in leather jackets and Descendents have Milo on almost all of their covers. That's kind of what we go for, a familiar but slightly different cover on each album. We want the skull and cross rockets to be associated with us the same way the DK logo is to Dead Kennedys or Milo to Descendents.
PRT: The new album is called “Freak Out!”.. .what are some of the things you freak out about?Miguel: I don't know if too many things make me freak out anymore, but I am into some freaky stuff. Let it suffice to say that song "Mutilate Me" was written about me.
PRT: You threw a heavy metal party to record the video for “Headbanger”. Was that a fun thing to do? Miguel: Yeah we drank keg beer and had a bunch of friends over to party. People were skating, doing keg stands and getting weird, it ruled!
PRT: Your past releases came out on Red Scare and this is now your second album for Fat Wreck. How has being on a different label changed things for you? Miguel: There are similarities in we are friends with everyone we've worked with at Red Scare and Fat. One difference is that Fat has more people working, because they are a bigger operation. This gives us the ability to do more with the band and reach a bigger audience. Both labels definitely work really hard for us, we just reached a point with Red Scare where the band and label had gone as far as they could together and it was time to move on. So we went to Fat and they have been great to us. We are stoked to be part of the family!
PRT: What’s up next for Teenage Bottlerocket? Any plans to come back to Europe? Miguel: We've got a lot of US dates coming up and we're heading to Asia in November. We're hoping to get back to Europe early next year, we love it over there!
PRT: I work for the Groezrock festival and when I saw you guys there last year it seemed like you were having a blast. Does it make a difference for you whether you’re playing a club show or at a festival? Miguel: We love playing them all. We try to give every show 110% whether it's in front of 10,000 people or 20. We just love playing together and feel fortunate that people come see us.
PRT: Last question… do you have a specific date in mind when you want to be bigger than Kiss? Miguel: Yesterday
PRT: Who are you and what would you like to tell our readers about yourself?Miguel: I'm Miguel I play bass in Teenage Bottlerocket and I enjoy candlelight dinners and long walks on the beach
PRT: For the people out there who haven’t heard of Teenage Bottlerocket yet… if you were the lovechild of two other bands, which acts would’ve had sex and which position were you conceived in?Miguel: Maybe if the Ramones and Descendents did a rusty bike pump they would produce us
PRT: I like how you have had the same kind of sound ever since you started out but always change things up enough to keep it exciting and fresh. Is that just the way songs turn out or do you sometimes abandon ideas because they don’t fit your sound? Miguel: We don't ever abandon songs because they don't fit a sound. We don't necessarily set out to write songs that sound a certain way, we just try and write songs that are good.
PRT: You’re always being coined as a pop-punk band… do you ever find yourself wanting to yell ‘there’s more to us than that’? Miguel: I think we're just stoked people are calling us anything at all, it means people are listening. We think of ourselves as a punk band, but are fine with being called pop punk too.
PRT: I think that what sets you apart from other bands are the vocals. Is that what you spend most of your time on when writing?Miguel: Definitely. Songs in our band sort of start with lyrics and vocals and everything else builds around that structure.
PRT: Something I always wondered about… how did you come up with the idea of always using the same cover? Miguel: A lot of our favorite bands have very similar record covers. For example the Ramones first albums all featured them standing together in leather jackets and Descendents have Milo on almost all of their covers. That's kind of what we go for, a familiar but slightly different cover on each album. We want the skull and cross rockets to be associated with us the same way the DK logo is to Dead Kennedys or Milo to Descendents.
PRT: The new album is called “Freak Out!”.. .what are some of the things you freak out about?Miguel: I don't know if too many things make me freak out anymore, but I am into some freaky stuff. Let it suffice to say that song "Mutilate Me" was written about me.
PRT: You threw a heavy metal party to record the video for “Headbanger”. Was that a fun thing to do? Miguel: Yeah we drank keg beer and had a bunch of friends over to party. People were skating, doing keg stands and getting weird, it ruled!
PRT: Your past releases came out on Red Scare and this is now your second album for Fat Wreck. How has being on a different label changed things for you? Miguel: There are similarities in we are friends with everyone we've worked with at Red Scare and Fat. One difference is that Fat has more people working, because they are a bigger operation. This gives us the ability to do more with the band and reach a bigger audience. Both labels definitely work really hard for us, we just reached a point with Red Scare where the band and label had gone as far as they could together and it was time to move on. So we went to Fat and they have been great to us. We are stoked to be part of the family!
PRT: What’s up next for Teenage Bottlerocket? Any plans to come back to Europe? Miguel: We've got a lot of US dates coming up and we're heading to Asia in November. We're hoping to get back to Europe early next year, we love it over there!
PRT: I work for the Groezrock festival and when I saw you guys there last year it seemed like you were having a blast. Does it make a difference for you whether you’re playing a club show or at a festival? Miguel: We love playing them all. We try to give every show 110% whether it's in front of 10,000 people or 20. We just love playing together and feel fortunate that people come see us.
PRT: Last question… do you have a specific date in mind when you want to be bigger than Kiss? Miguel: Yesterday
22.8.12
Shane Gamble – Shane Gamble
Shane Gamble calls himself a neo-country crooner which is a first for me. But listening to the man’s self-titled album, I can see where it’s coming from. The songs on here are an amalgam of pop, country and indie rock which gives him credibility with both the Nashville crowd and the New York hipsters.
Take “Bleeder” for instance where Gamble sounds a bit like Jack Johnson singing over a tune that could’ve been written by Jakob Dylan. “Turn My Way” and “One Balloon” on the other hand seem to be written for the radio. The album has a nice flow to it and while the arrangements are lush with layered guitars and vocal harmonies, things never feel cramped but instead allow the song to breathe.
If you’re into John Mayer, Pete Yorn or Josh Ritter’s “Hello Starling”, Shane Gamble is a safe bet!
Score: 7 out of 10
no label
http://www.shanegamble.com
Take “Bleeder” for instance where Gamble sounds a bit like Jack Johnson singing over a tune that could’ve been written by Jakob Dylan. “Turn My Way” and “One Balloon” on the other hand seem to be written for the radio. The album has a nice flow to it and while the arrangements are lush with layered guitars and vocal harmonies, things never feel cramped but instead allow the song to breathe.
If you’re into John Mayer, Pete Yorn or Josh Ritter’s “Hello Starling”, Shane Gamble is a safe bet!
Score: 7 out of 10
no label
http://www.shanegamble.com
I, Omega – The Ravenous
From Los Angeles comes I, Omega. They’re a progressive metal band with a mission: playing technically proficient metal that is widely accessible. This results in the kind of nerve-numbing riffs that Protest The Hero annoyed me with coupled to the macho metal of Avenged Sevenfold. In my eyes not a winning ticket but hey, I’m not young and hip anymore so what do I know!
Score: 2 out of 10
http://www.bullettooth.com
http://www.facebook.com/iomegaband
Score: 2 out of 10
http://www.bullettooth.com
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